Barry Lyndon (1975) - dir. Stanley Kubrick
Post A Clockwork Orange, Kubrick had been planning an epic film on the life of Napoleon. He had been gathering materials and research for years, but the financing collapsed when a similar DeLaurentis film, Waterloo, tanked at the box office. Kubrick ended up using all the research to make Barry Lyndon, a story based on a novel by Thackeray, set in and around the 7 Years War.
The story itself is an episodic tale about a shallow, gold-digging loser played by Ryan O’Neal at the peak of his heartthrob status and an “Irish” accent that Kevin Costner must have studied for for Robin Hood: Prince of Thieves. It’s the Emerald Isle by way of Burbank.
But honestly, the plot almost seems secondary to the stunning technical work in display. The film won a number of Oscars, including Cinematography, Art Direction, and Costume Design, and was nominated for several more, including best picture. Kubrick employed special lenses from NASA to allow him to shoot entirely with natural light, including many scenes that are shot solely by candlelight.
Its slow pace and meandering story means it won’t ever achieve the notoriety of something like The Shining (about which, more later!) but it’s a really beautiful achievement, definitely worth the 3 hour run time.
Notably, my local art theater is showing 4 Kubrick films this month on 35mm, of which this is the first. The prints are a bit rough at the reel ends, but it seeing film grain and the ‘cigarette burns’ in the corner for reel changes give it a fabulous atmosphere.
The only bummer is that we also get the 35mm optical mono soundtrack, but that’s how it was back in the day, so…
3.5 out 5 authentic Prussian military uniforms.