@kaos I like how you play a lot of newer songs. One of my main sources for discovering new music is through the French radio station Fip. Thatās where I heard Tim Bernardes first - though he still sounds āold schoolā perhaps.
My main kick is finding old songs that still (or again) sound fresh today, like this one here.
Thoughts from the peanut gallery - disclosure Iām not a hater or a fan of horn or swift - but my friend in music biz just told me this the other day
the most recent taylor swift album showed that that jack antonoff hack has finally worn out his welcome. heās the goddamn 21st century trevor horn, and his shit will become just as dated as trevor hornās 80s shit
I guess the burn is she had 10/10 top ten. But I lean to his take.
I remember not being a fan of Trevor Horn in the 80s. I mean he had so many hits, that in itself was off putting to any āseriousā music lover - indeed probably the same as how some people look at Taylor Swift these days.
But itās only after considerable time one can really judge someone with a lot of commercial succes. And the guy (Trevor Horn) made some great records, including more artistically succesful ones like Buffalo Gal. The same sentiment can be seen in the comments below the article in the Guardian.
But, no, itās not music Iād typically play a lot⦠Was just triggered by the article. Though it raises an interesting question: what modern day commercially succesful music is also really good?
I have this discussion often and my answer is none. Of course thatās hyperbolic and thereās some good stuff that has some degree of commercial success. Folks disagree with me but Iām still going with none. Country music, less than none. Jazz and blues some great stuff just not commercially successful in a big sense.
Agree, in that there is none or at least very little that is both successful and good (to my ears). Just for the fun of it Iāve just looked up spotifyās hits of 2021 and the only song I can remotely stand is Harry Styles - Watermelon Sugar.
There is good stuff in for example France and Italy, as Iāve learned by listening to local radio, but their success is limited to their home countries.
When I was a young man I would have agreed with you about country music, but over the past 20 years I have grown to enjoy it. The storytelling in country music is second to none. For variety it is getting there. How about a āredneck bandā from Regina?
Dead South.
Not working for you? How about a bluegrass band from Norway?
Hayde Bluegrass Orchestra.
Dead south is sorta cool I guess I didnāt really think commercially huge but youāre right.
Iām more for what country was 50 years ago and older.
Iām not saying thereās no good country right now. That being said a lot of what I hear commercially played does sound more like the backdrop to a NASCAR/KKK/trump rally.