[Have some free time to reflect on my recent meals. Hope everyone enjoy my first Post here]
A few years ago, when I first got to Toronto, it felt like fine dining here was trapped in time. Not in the sense that the cooking was classical or that there was a heavy use of cream or butter in the sauces, but in how the experience was delivered. Arrive at the restaurant, walk to your table, sit down, and stay butt-in-seat till the end. It was your lucky day if you got more than a list of ingredients in an explanation or a glimpse of the chef.
There was nothing wrong with this âtraditionalâ fine dining experience â it had been perfected over the years and was what I was accustomed to. But it started to feel stale when countries in Asia and the Nordics began to move on and experiment with other dining formats or service delivery. Sushi counters in Japan have been around for some time, and an omakase meal is as much theater as dining. Before your eyes stands the chef at work â you see how the fish is sliced, the knifework used to create texture and release flavors, the condiments chosen, the pressing together of the nigiri reflecting the chefâs training. Joel Robuchon took inspiration from sushi counters and started applying counter seating to Western fine dining when he opened LâAtelier de Joel Robuchon in 2003. Twenty-two years later, LâAtelier has expanded from one to six branches around the world, and, concurrent with the rise in popularity of Japanese cuisine, counter dining can now be seen in many fine dining restaurants â including the likes of Alo and Quetzal.
For table dining, the Nordic countries have probably done the most to refine the experience. Noma lays out all of its ingredients on a table when you first approach the restaurant. FrantzĂ©n serves champagne and amuse-bouche in a separate lounge, with a detailed explanation of the ingredients displayed on a table. As you make your way to the table at Vyn, you pass through the kitchen and are introduced to the chefs in charge. At almost all starred restaurants, dishes are brought to the table by chefs â often the one preparing the dish. This, for me, is an evolution of the guest experience I long to see in Toronto, and finally, in the last two months, I have started to see some âgrowing up.â
My meal at The Pine in Creemore last month started the same way as before, as I took my seat at their chefâs table. Still the same minimally decorated dining room with white walls bathed in sunlight in a renovated gas station. But halfway through our meal, we were invited to step inside the kitchen, followed by a palate cleanser served on their kitchen table. Finally, someone had broken the mold! At the end of the meal, the petit fours were served in the back garden as the chef explained each of them in detail. On my fourth and most recent visit to Pearl Morissette, I finally met one of the two head chefs and saw both of them working through the dining room, greeting diners and explaining dishes. Maybe it was because both restaurants had recently been awarded one star by the Michelin Guide. Or maybe itâs because both are among the top restaurants in the country and might crack the soon-to-be-announced North America 50 Best Restaurants list. But I am happy to finally see some maturing of the fine dining scene â two restaurants already at the top of the Canadian dining scene pushing the envelope to get better and deliver an experience above and beyond the traditional fine dining experience.