Project Hail Mary (2026) - dir. Chris Miller and Phil Lord
Will Grace (Ryan Gosling) is a laughed-out-of-his-field molecular biologist, now teaching high school, that, for sci-fi reasons, is sent off to the Tau Ceti star system in order to figure out how to stop a space-borne parasite from eating the sun. By coincidence, he runs into an alien who has come to this system for the same reason! They must learn to communicate etc etc to save their respective home worlds.
The film is based on the book by Andy Weir, author of The Martian, which was hailed as one of the best “hard sci-fi” books in years and gave us the phrase “Let’s science this shit!” It was, as far as I remember, the ur-example of “competence porn”, where very smart people work methodically to solve a problem that isn’t “some evil guy doing evil things”. The Matt Damon-led movie was a pretty faithful adaptation and enjoyable enough.
The main appeal to The Martian was that they were using science that was VERY close to our current levels of tech. It felt extremely plausible. Weir famously consulted with bunches of NASA and JPL folks to get it right.
One imagines he did similar stuff here, but the ‘experts’ are necessarily doing a lot more speculation. A space parasite that eats the sun, a truly alien species with very different biology and tech levels… sure, it all sounds as plausible as any other well thought out fictional universe, but the truth is, things work out because the hand waving stuff is designed to give us the right ending.
Gosling as Grace is affable and sympathetic, and Rocky, the alien (voiced by James Ortiz) and he build a sweet, funny rapport. There are a few genuinely thrilling spacewalk sequences, and the flashbacks showing how Grace got to this point all ring true. Unfortunately, the film suffers from the “multiple endings” defect, and is a very indulgent 157 minutes. And worst of all, the ending is SO desperately corny, piling feel-good tags onto one another to a degree that would make even Spielberg say “ok, guys, we get it!”
It’s enough that it actively detracts from the very well made (if slightly hokey) film that precedes it. But I suspect it’s exactly this schmaltz that’s the reason why it’s one of the few films actually sticking around multiple weeks at the box office. Big, theatrical visuals, positive, feel good plot. Highly processed, polished middle-brow enteretainment for the masses.
2.5 of 5 amusing alien malapropisms. “Fist my bump!”